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<title>New York Emmy&#174; Awards</title>
<itunes:subtitle>New York Emmy&#174; Awards</itunes:subtitle>
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<itunes:author>New York Emmy&#174; Awards</itunes:author>
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<title>New York Emmy&#174; Awards</title></image>
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<webMaster>noemail@nyemmys.org</webMaster>
<pubDate>Wed, 09 Jul 2008 01:05:22 GMT</pubDate>
		<item>

			<category>Events</category>

			<link>http://www.nyemmys.org/en/cev/?207</link>

			<title>Planet Green</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.nyemmys.org/en/cev/?207&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;Planet Green&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20080820T220000Z&quot;&gt;20-Aug-08 6:00 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20080820T230000Z&quot;&gt;20-Aug-08 7:00 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
NY NATAS, New York, NY 10018&lt;/span&gt;
&lt;br/&gt;
Speaker: Dan Russell&lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;div&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&lt;strong&gt;Topic: &quot;Inside Planet Green -- and what you might be surprised we'd love to see.&quot;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;Seminar produced by Ellen Muir&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;strong&gt;&lt;span style=&quot;color: #008000&quot;&gt;RESERVATIONS REQUIRED DUE TO BUILDING SECURITY. ALL NAMES MUST BE ON GUEST LIST.&lt;br&gt;
&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
&lt;div&gt;&lt;strong&gt;&lt;span style=&quot;color: #008000&quot;&gt;PLEASE RSVP VIA EMAIL &lt;a style=&quot;color: #0000ff&quot; href=&quot;&amp;#109;&amp;#97;&amp;#105;&amp;#108;&amp;#116;&amp;#111;&amp;#58;&amp;#105;&amp;#110;&amp;#102;&amp;#111;&amp;#64;&amp;#110;&amp;#121;&amp;#101;&amp;#109;&amp;#109;&amp;#121;&amp;#115;&amp;#46;&amp;#111;&amp;#114;&amp;#103;&quot;&gt;info@nyemmys.org&lt;/a&gt; or call &lt;span style=&quot;color: #0000ff&quot;&gt;212-459-3630 ext. 204&lt;/span&gt;.&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;NY NATAS
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;1375 Broadway (between 37th and 38th Streets), 21st Floor, Suite 2103&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;New York&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;NY&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;10018&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.nyemmys.org/en/cev/?207</guid>

			<pubDate>Wed, 02 Jul 2008 15:28:07 GMT</pubDate>

		</item>

		<item>

			<category>Events</category>

			<link>http://www.nyemmys.org/en/cev/?197</link>

			<title>Lynne Rogers &#0038; Mari Lyn Henry</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.nyemmys.org/en/cev/?197&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;Lynne Rogers &amp; Mari Lyn Henry&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20080723T220000Z&quot;&gt;23-Jul-08 6:00 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20080723T230000Z&quot;&gt;23-Jul-08 7:00 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
NY NATAS, New York, NY 10018&lt;/span&gt;
&lt;br/&gt;
Speaker: LYNNE ROGERS, Performer, Spokesperson, Author &amp; MARI LYN HENRY, Talent Manager, Author&lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;div&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;&lt;strong style=&quot;color: #000000&quot;&gt;Topic: &quot;How To Survive As A Working Actor in 2008.&quot;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;Seminar produced by Ellen Muir.&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #008000&quot;&gt;&lt;strong&gt;RESERVATIONS REQUIRED DUE TO BUILDING SECURITY. ALL NAMES MUST BE ON GUEST LIST.&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;span style=&quot;color: #008000&quot;&gt;&lt;strong&gt;PLEASE RSVP VIA EMAIL &lt;a href=&quot;&amp;#109;&amp;#97;&amp;#105;&amp;#108;&amp;#116;&amp;#111;&amp;#58;&amp;#105;&amp;#110;&amp;#102;&amp;#111;&amp;#64;&amp;#110;&amp;#121;&amp;#101;&amp;#109;&amp;#109;&amp;#121;&amp;#115;&amp;#46;&amp;#111;&amp;#114;&amp;#103;&quot;&gt;info@nyemmys.org&lt;/a&gt; or call 212-459-3630 ext. 204.&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;NY NATAS
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;1375 Broadway (between 37th and 38th Streets), 21st floor, Suite 2103&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;New York&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;NY&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;10018&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.nyemmys.org/en/cev/?197</guid>

			<pubDate>Wed, 21 May 2008 14:02:34 GMT</pubDate>

		</item>

		<item>

			<category>Events</category>

			<link>http://www.nyemmys.org/en/cev/?200</link>

			<title>Update on Psychic Programming</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.nyemmys.org/en/cev/?200&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;Update on Psychic Programming&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20080716T220000Z&quot;&gt;16-Jul-08 6:00 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20080716T230000Z&quot;&gt;16-Jul-08 7:00 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
NY NATAS, New York, NY 10018&lt;/span&gt;
&lt;br/&gt;
Speaker: Paul Shavelson&lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;div&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;&lt;strong style=&quot;font-size: 12pt&quot;&gt;TOPIC: &quot;An Update on Psychic Programming&quot;&lt;/strong&gt;&lt;br&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;Seminar produced by Ellen Muir.&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;strong style=&quot;color: #008000&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;RESERVATIONS REQUIRED DUE TO BUILDING SECURITY. ALL NAMES MUST BE ON GUEST LIST.&lt;br&gt;
PLEASE RSVP VIA EMAIL &lt;/span&gt;&lt;a href=&quot;&amp;#109;&amp;#97;&amp;#105;&amp;#108;&amp;#116;&amp;#111;&amp;#58;&amp;#105;&amp;#110;&amp;#102;&amp;#111;&amp;#64;&amp;#110;&amp;#121;&amp;#101;&amp;#109;&amp;#109;&amp;#121;&amp;#115;&amp;#46;&amp;#111;&amp;#114;&amp;#103;&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;info@nyemmys.org&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt; or call 212-459-3630 ext. 204.&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;NY NATAS
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;1375 Broadway (between 37th and 38th Streets), 21st floor, Suite 2103&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;New York&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;NY&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;10018&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.nyemmys.org/en/cev/?200</guid>

			<pubDate>Thu, 05 Jun 2008 18:25:11 GMT</pubDate>

		</item>

		<item>

			<category>Events</category>

			<link>http://www.nyemmys.org/en/cev/?199</link>

			<title>Mario Ruiz of The Huffington Post</title>

			<description>&lt;div class=&quot;vevent&quot;&gt;
&lt;a class=&quot;url&quot; href=&quot;http://www.nyemmys.org/en/cev/?199&quot;&gt;
&lt;span class=&quot;summary&quot;&gt;Mario Ruiz of The Huffington Post&lt;/span&gt;
&lt;/a&gt;&lt;br/&gt;
Start Date: &lt;abbr class=&quot;dtstart&quot; title=&quot;20080709T220000Z&quot;&gt;9-Jul-08 6:00 PM&lt;/abbr&gt;
&lt;br/&gt;
End Time: 
&lt;abbr class=&quot;dtend&quot; title=&quot;20080709T230000Z&quot;&gt;9-Jul-08 7:00 PM&lt;/abbr&gt;
&lt;br/&gt;
Location: &lt;span class=&quot;location&quot;&gt;
NY NATAS, New York, NY 10018&lt;/span&gt;
&lt;br/&gt;
Speaker: Mario Ruiz&lt;br&gt;
&lt;br/&gt;
Event Details: &lt;div class=&quot;description&quot;&gt;&lt;div&gt;&lt;strong style=&quot;font-size: 10pt&quot;&gt;TOPIC: &quot;How the Internet Has Impacted Coverage of Politics This Campaign Season.&quot;&lt;/strong&gt;&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;Seminar produced by Ellen Muir.&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;strong&gt;&lt;span style=&quot;color: #008000&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;RESERVATIONS REQUIRED DUE TO BUILDING SECURITY. ALL NAMES MUST BE ON GUEST LIST.&lt;/span&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style=&quot;color: #008000&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;PLEASE RSVP VIA EMAIL &lt;/span&gt;&lt;a href=&quot;mailto:info@nyemmys.org&quot;&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt;info@nyemmys.org&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size: 10pt&quot;&gt; or call 212-459-3630 ext. 204.&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;br/&gt;
&lt;div class=&quot;vcard&quot;&gt;
&lt;a class=&quot;fn&quot;&gt;NY NATAS
&lt;br/&gt;
&lt;div class=&quot;adr&quot;&gt;
&lt;div class=&quot;street-address&quot;&gt;1375 Broadway (between 37th and 38th Streets), 21st floor, Suite 2103&lt;/div&gt;
&lt;span class=&quot;locality&quot;&gt;New York&lt;/span&gt;,
&lt;span class=&quot;region&quot;&gt;NY&lt;/span&gt;
&lt;span class=&quot;postal-code&quot;&gt;10018&lt;/span&gt;
&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;

</description>

			<guid isPermaLink="false">http://www.nyemmys.org/en/cev/?199</guid>

			<pubDate>Thu, 05 Jun 2008 18:21:06 GMT</pubDate>

		</item>

		<item>

			<category>Articles</category>
			<link>http://www.nyemmys.org/en/art/?21</link>
			<title>A REPORTER'S CONFIDENTIAL SOURCE . . . REVEALED?</title>
			<description>By Fernando M. Pinguelo, Esq.       The June 2007 sentencing of Lewis Scooter Libby who was convicted on federal charges of lying and obstructing an investigation into the Bush administrations actions leading into the Iraq war reminds us of how far reporters will go to protect their sources of information and the consequences of such confidentiality.  New York Times reporter Judith Millers life changed dramatically on July 6, 2005 when a federal judge ordered her jailed for her continued refusal to give evidence in a grand jury investigation into the disclosure of the identity of a covert CIA operative.     Miller&#8217;s imprisonment culminated from a series of events that began with President George W. Bush&#8217;s January 28, 2003, State of the Union address wherein it was revealed that British intelligence had learned that Saddam Hussein sought significant quantities of uranium from Africa. The President&#8217;s statement, given at a time when an Iraqi invasion was looming, stirred public... 
&lt;br&gt;&lt;br&gt;23-Jul-07 5:00 PM
</description>
			<itunes:subtitle>A REPORTER'S CONFIDENTIAL SOURCE . . . REVEALED?</itunes:subtitle>
			<itunes:summary>By Fernando M. Pinguelo, Esq.       The June 2007 sentencing of Lewis Scooter Libby who was convicted on federal charges of lying and obstructing an investigation into the Bush administrations actions leading into the Iraq war reminds us of how far reporters will go to protect their sources of information and the consequences of such confidentiality.  New York Times reporter Judith Millers life changed dramatically on July 6, 2005 when a federal judge ordered her jailed for her continued refusal to give evidence in a grand jury investigation into the disclosure of the identity of a covert CIA operative.     Miller&#8217;s imprisonment culminated from a series of events that began with President George W. Bush&#8217;s January 28, 2003, State of the Union address wherein it was revealed that British intelligence had learned that Saddam Hussein sought significant quantities of uranium from Africa. The President&#8217;s statement, given at a time when an Iraqi invasion was looming, stirred public...</itunes:summary>
			<guid isPermaLink="false">http://www.nyemmys.org/en/art/?21</guid>
			<pubDate>Mon, 23 Jul 2007 22:00:00 GMT</pubDate>
		</item>

		<item>

			<category>Articles</category>
			<link>http://www.nyemmys.org/en/art/?19</link>
			<title>Gootopia - Living in a Targeted Society</title>
			<description>Alethea Hokum sat quietly, barely breathing. Her glazed eyes showed a faint reflection of the video monitor that had lulled her into semi-consciousness. Startled and just a bit confused, she reached down to silence her vibrating PDA. But something caught her eye. It was a text message offering her an additional 15 percent off if she would like her carpets cleaned this week. Of course the text message was just a few seconds out of sync with the sponsorship message she had just seen, but Alethea knew the offer was especially for her. It was an offer she couldn&amp;#8217;t refuse.  She hit the pause button on her television, answered the text message with a simple y and pressed send. Two clicks on her remote to get back to the part of the show she missed and less than a minute later, Alethea Hokum returned to her blissful world of personalized, highly relevant media.  Across town, Verity Bunker, a stay-at-home mother of two, was taking a much-needed retail therapy break. As she approached a... 
&lt;br&gt;&lt;br&gt;31-May-07 4:00 PM
</description>
			<itunes:subtitle>Gootopia - Living in a Targeted Society</itunes:subtitle>
			<itunes:summary>Alethea Hokum sat quietly, barely breathing. Her glazed eyes showed a faint reflection of the video monitor that had lulled her into semi-consciousness. Startled and just a bit confused, she reached down to silence her vibrating PDA. But something caught her eye. It was a text message offering her an additional 15 percent off if she would like her carpets cleaned this week. Of course the text message was just a few seconds out of sync with the sponsorship message she had just seen, but Alethea knew the offer was especially for her. It was an offer she couldn&amp;#8217;t refuse.  She hit the pause button on her television, answered the text message with a simple y and pressed send. Two clicks on her remote to get back to the part of the show she missed and less than a minute later, Alethea Hokum returned to her blissful world of personalized, highly relevant media.  Across town, Verity Bunker, a stay-at-home mother of two, was taking a much-needed retail therapy break. As she approached a...</itunes:summary>
			<guid isPermaLink="false">http://www.nyemmys.org/en/art/?19</guid>
			<author>noemail@nyemmys.org</author>
			<pubDate>Thu, 31 May 2007 21:00:00 GMT</pubDate>
		</item>

		<item>

			<category>Articles</category>
			<link>http://www.nyemmys.org/en/art/?20</link>
			<title>Bob Wright to Chair New Group</title>
			<description>Recognizing the New Digital Generation  New York, N. Y. &amp;#8211; The Board of Trustees of the National Academy of Television Arts &amp; Sciences today voted unanimously to authorize the formation of a new peer group, the National Academy of Media Arts &amp; Sciences, open to current and new members of any of the 19 chapters of the National Television Academy.  The National Academy of Media Arts &amp; Sciences will be chaired by Bob Wright, Chairman of the Board of NBC Universal and Vice Chairman of the Board, Executive Officer and a member of the Corporate Executive Officer of General Electric Company. Wright, who joined NBC as President/CEO in 1986 and served as Chairman &amp; CEO of NBC Universal from May 2004-February 2007, has had one of the longest and most successful tenures of any media company chief executive. During his successful tenure at NBC, Wright extended the broadcaster into cable and satellite, international and new media markets.  &amp;#8220;This move is exactly the right move at the... 
&lt;br&gt;&lt;br&gt;31-May-07 4:00 PM
</description>
			<itunes:subtitle>Bob Wright to Chair New Group</itunes:subtitle>
			<itunes:summary>Recognizing the New Digital Generation  New York, N. Y. &amp;#8211; The Board of Trustees of the National Academy of Television Arts &amp; Sciences today voted unanimously to authorize the formation of a new peer group, the National Academy of Media Arts &amp; Sciences, open to current and new members of any of the 19 chapters of the National Television Academy.  The National Academy of Media Arts &amp; Sciences will be chaired by Bob Wright, Chairman of the Board of NBC Universal and Vice Chairman of the Board, Executive Officer and a member of the Corporate Executive Officer of General Electric Company. Wright, who joined NBC as President/CEO in 1986 and served as Chairman &amp; CEO of NBC Universal from May 2004-February 2007, has had one of the longest and most successful tenures of any media company chief executive. During his successful tenure at NBC, Wright extended the broadcaster into cable and satellite, international and new media markets.  &amp;#8220;This move is exactly the right move at the...</itunes:summary>
			<guid isPermaLink="false">http://www.nyemmys.org/en/art/?20</guid>
			<author>noemail@nyemmys.org</author>
			<pubDate>Thu, 31 May 2007 21:00:00 GMT</pubDate>
		</item>

		<item>

			<category>Articles</category>
			<link>http://www.nyemmys.org/en/art/?14</link>
			<title>Seeing The Future Through The Past</title>
			<description>   By   Shelly Palmer   Chairman, Advanced Media   Committee After the Wright brothers did their proof of   concept flight circa 1903, the fledging airline industry hit the road in   search of development capital. They brought their proposal to Americas   richest, most successful businessmen: the railroad barons. According to   legend, they were summarily dismissed. It seems the railroad tycoons didnt   think much of the technology and felt it would never attain critical mass.         The most popular criticism of the railroad executives opines that they were   too stupid to recognize that they were the transportation business, not the   railroad business. And, more importantly, they should have recognized the   airplane as the new new thing.       Anyone who lives in the present might look at this story see it as glaringly   irrelevant. We dont really know what the railroad guys were thinking, the   story is oversimplified hearsay. And, it took 40 plus years for the airline  ... 
&lt;br&gt;&lt;br&gt;31-Aug-06 4:00 PM
</description>
			<itunes:subtitle>Seeing The Future Through The Past</itunes:subtitle>
			<itunes:summary>   By   Shelly Palmer   Chairman, Advanced Media   Committee After the Wright brothers did their proof of   concept flight circa 1903, the fledging airline industry hit the road in   search of development capital. They brought their proposal to Americas   richest, most successful businessmen: the railroad barons. According to   legend, they were summarily dismissed. It seems the railroad tycoons didnt   think much of the technology and felt it would never attain critical mass.         The most popular criticism of the railroad executives opines that they were   too stupid to recognize that they were the transportation business, not the   railroad business. And, more importantly, they should have recognized the   airplane as the new new thing.       Anyone who lives in the present might look at this story see it as glaringly   irrelevant. We dont really know what the railroad guys were thinking, the   story is oversimplified hearsay. And, it took 40 plus years for the airline  ...</itunes:summary>
			<guid isPermaLink="false">http://www.nyemmys.org/en/art/?14</guid>
			<pubDate>Thu, 31 Aug 2006 21:00:00 GMT</pubDate>
		</item>

		<item>

			<category>Articles</category>
			<link>http://www.nyemmys.org/en/art/?13</link>
			<title>Scared of TiVo and Cable &#8230;Kick their butts with Virtual VOD!</title>
			<description>   By   Shelly Palmer   Chairman, Advanced   Media Committee The government granted you a bunch of digital   bandwidth. Pundits are saying that HD is the future, and you should think   seriously about using most of your big pipe for HD. Its sort of a Field of   Dreams argument. If you build it, they will come. Perhaps. Some, less   popular engineers, have been advocating the multiplexing of a few dozen   digital SD channels instead ...; maybe theyre on to something?      Lets do a thought experiment about brand and audience building. First,   well multiplex your new digital signal into a bunch of SD channels. (That   will take some hardware, but not much.) Then well need programming assets   that are brand relevant. And last, but not least, well need a value   proposition for the viewers. Wrap it up in some clever marketing and you   have powerful a new product: Virtual VOD.      Sadly, there are a few real world obstacles to this plan. Not the least of   which are retransmission... 
&lt;br&gt;&lt;br&gt;31-Aug-06 4:00 PM
</description>
			<itunes:subtitle>Scared of TiVo and Cable &#8230;Kick their butts with Virtual VOD!</itunes:subtitle>
			<itunes:summary>   By   Shelly Palmer   Chairman, Advanced   Media Committee The government granted you a bunch of digital   bandwidth. Pundits are saying that HD is the future, and you should think   seriously about using most of your big pipe for HD. Its sort of a Field of   Dreams argument. If you build it, they will come. Perhaps. Some, less   popular engineers, have been advocating the multiplexing of a few dozen   digital SD channels instead ...; maybe theyre on to something?      Lets do a thought experiment about brand and audience building. First,   well multiplex your new digital signal into a bunch of SD channels. (That   will take some hardware, but not much.) Then well need programming assets   that are brand relevant. And last, but not least, well need a value   proposition for the viewers. Wrap it up in some clever marketing and you   have powerful a new product: Virtual VOD.      Sadly, there are a few real world obstacles to this plan. Not the least of   which are retransmission...</itunes:summary>
			<guid isPermaLink="false">http://www.nyemmys.org/en/art/?13</guid>
			<pubDate>Thu, 31 Aug 2006 21:00:00 GMT</pubDate>
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			<category>Articles</category>
			<link>http://www.nyemmys.org/en/art/?16</link>
			<title>The Death of the Demo</title>
			<description>By   Shelly Palmer  Chairman - New   Media Committee  The term demo is having an   identity crisis. In the old days (from the dawn of time until about 3 years   ago) demos were what you did when you didnt have money to do finals.    The term applied to every kind of creative project: music, video, film, flat   art, graphics, etc. The package designers call them comps but its   basically still a demo.  Whole industries emerged to meet   the needs of demo makers: Animatic houses, video storyboard producers, music   demo or project studios &amp;ndash; aah ...; those were the days.  Today, desktop production   technology has, for all practical purposes, killed the old meaning of the   term. It is reborn to mean, not yet approved by the client.  This is causing a huge problem for   creatives and producers who have not yet acquired desktop production   skills. And, it is causing even bigger problems for creatives and producers   who liked the good old days.  Although this is the perfect segue  ... 
&lt;br&gt;&lt;br&gt;31-Aug-06 4:00 PM
</description>
			<itunes:subtitle>The Death of the Demo</itunes:subtitle>
			<itunes:summary>By   Shelly Palmer  Chairman - New   Media Committee  The term demo is having an   identity crisis. In the old days (from the dawn of time until about 3 years   ago) demos were what you did when you didnt have money to do finals.    The term applied to every kind of creative project: music, video, film, flat   art, graphics, etc. The package designers call them comps but its   basically still a demo.  Whole industries emerged to meet   the needs of demo makers: Animatic houses, video storyboard producers, music   demo or project studios &amp;ndash; aah ...; those were the days.  Today, desktop production   technology has, for all practical purposes, killed the old meaning of the   term. It is reborn to mean, not yet approved by the client.  This is causing a huge problem for   creatives and producers who have not yet acquired desktop production   skills. And, it is causing even bigger problems for creatives and producers   who liked the good old days.  Although this is the perfect segue  ...</itunes:summary>
			<guid isPermaLink="false">http://www.nyemmys.org/en/art/?16</guid>
			<pubDate>Thu, 31 Aug 2006 21:00:00 GMT</pubDate>
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			<category>Articles</category>
			<link>http://www.nyemmys.org/en/art/?15</link>
			<title>No more gates&#8230;no more barbarians!</title>
			<description>   By   Shelly Palmer   Chairman, New Media   Committee    Less than a decade ago, if   you wanted to get into the television business there were of course certain   barriers. The obvious ones were talent, skill and willpower...;but there were   technical ones as well. The gateway to success was zealously guarded by a   few gatekeepers with large capital investments, armies of engineers, and   platoons of their very own technically oriented artisans.  For people with   something to contribute, it exacted a heavy toll.  By the mid-nineties, the   cost of studio time reached an all time high and the complexity of the   technology made it a conspiracy against the laity.     That was then.     Now,   many of the biggest post-production houses in New York have closed,   National, Post Perfect and East Side to name a few. And although there were   many reasons for the end of this era, the biggest was simply --   there were no more gates to guard.     What does this mean?    Technology, once... 
&lt;br&gt;&lt;br&gt;31-Aug-06 4:00 PM
</description>
			<itunes:subtitle>No more gates&#8230;no more barbarians!</itunes:subtitle>
			<itunes:summary>   By   Shelly Palmer   Chairman, New Media   Committee    Less than a decade ago, if   you wanted to get into the television business there were of course certain   barriers. The obvious ones were talent, skill and willpower...;but there were   technical ones as well. The gateway to success was zealously guarded by a   few gatekeepers with large capital investments, armies of engineers, and   platoons of their very own technically oriented artisans.  For people with   something to contribute, it exacted a heavy toll.  By the mid-nineties, the   cost of studio time reached an all time high and the complexity of the   technology made it a conspiracy against the laity.     That was then.     Now,   many of the biggest post-production houses in New York have closed,   National, Post Perfect and East Side to name a few. And although there were   many reasons for the end of this era, the biggest was simply --   there were no more gates to guard.     What does this mean?    Technology, once...</itunes:summary>
			<guid isPermaLink="false">http://www.nyemmys.org/en/art/?15</guid>
			<pubDate>Thu, 31 Aug 2006 21:00:00 GMT</pubDate>
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			<category>Articles</category>
			<link>http://www.nyemmys.org/en/art/?12</link>
			<title>American/English Production Vocabulary Comparisons</title>
			<description>  We have really everything in common with America nowadays except, of course, language - Oscar Wilde, The Canterville Ghost, 1887  The idea for this dictionary began during a survey/scout of a theater/theatre in Brussels prior to an Anglo-American television production. The director selected camera locations. Two were to be located towards the rear of the lowest level of audience.  I wandered off to discuss technical issues with the stage crew. My French is poor and my Flemish essentially non-existent, but I had little difficulty communicating with the Belgians. I returned to find the American female producer and the British male producer screaming at each other. They were saying exactly the same thing and didnt realize it.        He: So were having two cameras in the stalls.        She: No, we agreed not to put cameras in the boxes; theyre going in the orchestra.        He: We agreed not to put cameras with the musicians!        She: Of course were not having cameras in the pit!    ... 
&lt;br&gt;&lt;br&gt;31-Aug-06 3:00 PM
</description>
			<itunes:subtitle>American/English Production Vocabulary Comparisons</itunes:subtitle>
			<itunes:summary>  We have really everything in common with America nowadays except, of course, language - Oscar Wilde, The Canterville Ghost, 1887  The idea for this dictionary began during a survey/scout of a theater/theatre in Brussels prior to an Anglo-American television production. The director selected camera locations. Two were to be located towards the rear of the lowest level of audience.  I wandered off to discuss technical issues with the stage crew. My French is poor and my Flemish essentially non-existent, but I had little difficulty communicating with the Belgians. I returned to find the American female producer and the British male producer screaming at each other. They were saying exactly the same thing and didnt realize it.        He: So were having two cameras in the stalls.        She: No, we agreed not to put cameras in the boxes; theyre going in the orchestra.        He: We agreed not to put cameras with the musicians!        She: Of course were not having cameras in the pit!    ...</itunes:summary>
			<guid isPermaLink="false">http://www.nyemmys.org/en/art/?12</guid>
			<pubDate>Thu, 31 Aug 2006 20:00:00 GMT</pubDate>
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			<category>Articles</category>
			<link>http://www.nyemmys.org/en/art/?5</link>
			<title>Non-Compete Clauses: Are they Fair?</title>
			<description>By Fernando M. Pinguelo, Esq.   Whether you believe non-compete clauses in broadcast employment contracts are fair depends on your point of view. From managements perspective, of course, these clauses are fair. The station hires talent for a period of time and devotes significant resources in training and promotion to warrant an exclusive commitment. From talents perspective, these clauses are unfair. These clauses are often unreasonably restrictive and are not negotiated when a position is discussed and ultimately accepted.  So whos right? Even more interesting, does the dynamic of the broadcasting industry make these non-compete clauses more acceptable or less acceptable? As with most complex issues with competing interests, the answer is: IT DEPENDS . . . .  Recent Trends  Increasingly, broadcasting employers incorporate non-compete clauses in employment contracts. In fact, this trend crosses over into behind-the-scenes talent such as producers, associate producers and editors... 
&lt;br&gt;&lt;br&gt;18-Aug-06 10:00 AM
</description>
			<itunes:subtitle>Non-Compete Clauses: Are they Fair?</itunes:subtitle>
			<itunes:summary>By Fernando M. Pinguelo, Esq.   Whether you believe non-compete clauses in broadcast employment contracts are fair depends on your point of view. From managements perspective, of course, these clauses are fair. The station hires talent for a period of time and devotes significant resources in training and promotion to warrant an exclusive commitment. From talents perspective, these clauses are unfair. These clauses are often unreasonably restrictive and are not negotiated when a position is discussed and ultimately accepted.  So whos right? Even more interesting, does the dynamic of the broadcasting industry make these non-compete clauses more acceptable or less acceptable? As with most complex issues with competing interests, the answer is: IT DEPENDS . . . .  Recent Trends  Increasingly, broadcasting employers incorporate non-compete clauses in employment contracts. In fact, this trend crosses over into behind-the-scenes talent such as producers, associate producers and editors...</itunes:summary>
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			<pubDate>Fri, 18 Aug 2006 15:00:00 GMT</pubDate>
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			<category>Release</category>
			<link>http://www.nyemmys.org/en/rel/?2</link>
			<title>COMPOSERS CAF to launch October 25th with Elliot Lawrence and Jamie Lawrence</title>
			<description>  On Thursday, October 25, 2007, The National Academy of Television Arts and Sciences, New York Chapter and Local 802 AFM, Associated Musicians of Greater New York, will present the inaugural COMPOSERS CAF&#201;, a new series of programs featuring prominent composers presenting their life&#8217;s work through stories, playing their music, and video clips.  Launching this new series on October 25th will be Elliot Lawrence and his son Jamie Lawrence. The event will be moderated by John McDaniel.  Elliot Lawrence has been the Music Director of the Tony Awards show since its television inception. He was composer/conductor for the Oscar winning film Network and the opening sequence for The French Connection. He served as conductor and orchestrator for a host of fondly remembered original Broadway productions, among them Bye Bye Birdie, How to Succeed in Business Without Really Trying (winning a Tony Award for music direction), The Apple Tree, Heres Love, Golden Rainbow, Golden Boy, and Sugar. He is...
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			<author>noemail@nyemmys.org</author>
			<pubDate>Thu, 06 Sep 2007 19:00:00 GMT</pubDate>
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			<category>Release</category>
			<link>http://www.nyemmys.org/en/rel/?1</link>
			<title>National Academy of Television Arts &#0038; Sciences, NY (The Emmy Awards) Elects New Officers</title>
			<description>Shelly Palmer, President -- Jane Hanson 1st VP -- Karen Scott 2nd VP   New York, NY, May 18, 2007 -- Shelly Palmer, host of Media 3.0 with Shelly Palmer was elected President of the National Academy of Television Arts &amp; Sciences, NY (the organization that bestows the Emmy&amp;#174; Award) by a unanimous vote of its Board of Governors. Palmer succeeds past President, Jane Hanson. The new executive committee includes: President: Shelly Palmer, host of Media 3.0 with Shelly Palmer 1st Vice President: Jane Hanson, host of Janes New York 2nd Vice President: Karen Scott, News Director, CW11 Secretary: Denise Rover, Account Manager, WNJU-TV/Telemundo 47 Treasurer: Chris Pizzurro, VP Digital Media, Turner Entertainment Sales The New York Chapter of The National Academy of Television Arts &amp; Sciences is dedicated to the advancement of the arts and sciences of television and media, and the promotion of creative leadership for artistic, educational and technical achievements within the television...
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			<author>noemail@nyemmys.org</author>
			<pubDate>Thu, 31 May 2007 21:00:00 GMT</pubDate>
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			<category>Content Managers</category>
			<link>http://www.nyemmys.org/en/cms/?80</link>
			<title></title>
			<description>&lt;p align=&quot;left&quot;&gt;&lt;a href=&quot;/en/cms/?37&quot;&gt;&lt;img style=&quot;margin-right: 10px&quot; height=&quot;125&quot; alt=&quot;The New York Emmy&#174; Awards &quot; src=&quot;/attachments/wysiwyg/9/Image/gala_photo.jpg&quot; width=&quot;201&quot; align=&quot;left&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;The New York Emmy&#174; Awards took over Times Square on Sunday, March 12th. The black-tie gala held at the Marriott Marquis began with an exciting reception where nominees and revelers enjoyed conversation and cocktails. Conviviality reigned supreme! &lt;/p&gt;


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			<pubDate>Mon, 23 Jun 2008 16:42:49 GMT</pubDate>
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			<category>Content Managers</category>
			<link>http://www.nyemmys.org/en/cms/?252</link>
			<title>The 2008 New York Emmy Awards</title>
			<description>Welcome!  Our 51st Annual New York Emmy&#174; Awards Gala was held on Sunday, April 6, 2008.   Location: New York Marriott Marquis, Times Square ~ Broadway Ballroom   Cocktail Reception: 5:00 p.m.   Dinner: 6:00 p.m.   Awards Presentation: 7:00 p.m. - 10:30 p.m.    EVENT: BLACK TIE       PHOTO ALBUM           NEW YORK EMMY&#174; AWARDS BROADCAST   The 51st Annual New York Emmy&#174; Awards was broadcast on NYC TV Channel 25.      Premiere:   Tuesday, April 15th at 9:00 p.m.    Encores:   Saturday, April 19th at 9:00 p.m.  Sunday, April 20th at 8:00 p.m.      The 51st Annual New York Emmy&#174; Awards Nominations were announced at 10 AM on Thursday, February 7, 2008 live from the studios of CUNY-TV!  On hand to announce the honors were (appearing from left in photo below):  Elizabeth Hashagen, Anchor, News 12 Long Island; Mary Garofalo, Investigative Reporter, FOX5 News; Marvin Scott, Senior Correspondent, CW11 News at 10; Jacqueline J. Gonzalez, Executive Director, NY NATAS; and Shelly Palmer, Managing...

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			<pubDate>Mon, 23 Jun 2008 16:39:23 GMT</pubDate>
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			<category>Content Managers</category>
			<link>http://www.nyemmys.org/en/cms/?84</link>
			<title></title>
			<description>&lt;div style=&quot;font-weight: bold&quot;&gt;The 2008 New York &lt;span style=&quot;font-weight: bold&quot;&gt;Emmy&#174; &lt;/span&gt;Awards were&amp;nbsp;held on Sunday, April 6, 2008! &lt;/div&gt;
&lt;div style=&quot;font-weight: bold&quot;&gt;&amp;nbsp;&lt;/div&gt;
&lt;div style=&quot;font-weight: bold&quot;&gt;&lt;a href=&quot;http://www.nyemmys.org/en/photos/albums/v/2&quot;&gt;Photo Album&lt;/a&gt;! &lt;/div&gt;
&lt;div style=&quot;font-weight: bold&quot;&gt;&amp;nbsp;&lt;/div&gt;
&lt;div style=&quot;font-weight: bold&quot;&gt;TIP SHEET &lt;a href=&quot;/attachments/wysiwyg/4/PRESSTIPSHEET51STNYEMMYAWARDSApr42008.pdf&quot;&gt;link&lt;/a&gt;.&lt;/div&gt;
&lt;div style=&quot;font-weight: bold&quot;&gt;&amp;nbsp;
&lt;div style=&quot;font-weight: bold&quot;&gt;Congratulations to all of our&amp;nbsp;&lt;a href=&quot;/attachments/wysiwyg/4292/2008EmmyAwardNomineesMAY28.pdf&quot;&gt;nominees&lt;/a&gt;&amp;nbsp;and WINNERS! &lt;/div&gt;
&lt;div style=&quot;font-weight: bold&quot;&gt;&amp;nbsp;&lt;/div&gt;
&lt;div style=&quot;font-weight: bold&quot;&gt;&lt;a href=&quot;/attachments/wysiwyg/4292/2008EmmyAwardWinnersPressReleaseMAY28.pdf&quot;&gt;AND THE EMMY&#174; GOES TO...&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;font-weight: bold&quot;&gt;&amp;nbsp;&lt;/div&gt;
&lt;/div&gt;
&lt;div style=&quot;font-weight: bold&quot;&gt;&lt;strong&gt;Did you attend our 50th Anniversary NY &lt;span style=&quot;font-weight: bold&quot;&gt;Emmy&#174; &lt;/span&gt;Awards gala last year? Click&amp;nbsp;&lt;a href=&quot;http://www.nyemmys.org/en/cms/?843&quot;&gt;here&lt;/a&gt; for recap and photos!&lt;/strong&gt; &lt;/div&gt;
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			<pubDate>Mon, 23 Jun 2008 16:35:51 GMT</pubDate>
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			<link>http://www.nyemmys.org/en/cms/?74</link>
			<title>Committees</title>
			<description>                      ACTIVITIES CHAIR:                                     Clemente DAlessio                                 Phyllis Bishop       Leo Borovskiy       Peggy Chane                 Maryanne Cunningham       Ted Cunningham       Pamela Curzon                 Sumner Glimcher       Shelly Blaine Goodman       Louis Grenier                 Jordan Hunter               Nicole Importico               David Kaminski                         Jodi B. Katzman               Susan Kravitz               Cara Manzella                         Chet Marcus               Ellen Muir               Shelly Palmer                         Henry Plimack               Julie M. Poll               Gina Riggi                         leslie Shreve               Bill Sobel               Joel Spector                         Shirley Camper Soman               George Uribe               Eva Zelig                         Executive Director- Jacqueline J. Gonzalez                                             ...

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			<pubDate>Thu, 12 Jun 2008 17:57:07 GMT</pubDate>
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			<link>http://www.nyemmys.org/en/cms/?34</link>
			<title>Benefits</title>
			<description>The New York Chapter of The National Academy of Television Arts and Sciences WHAT ARE SOME OF THE BENEFITS OF MEMBERSHIP? A MEMBERSHIP CARD and FREE OR DISCOUNTED TICKETS TO EVENTS    DISCOUNTED RATES FOR EMMY&#174; ENTRIES   Access to all benefits listed below:   NEW!           VIP Smiles www.vipsmiles.com 866-377-3123                  VIP Smiles is now offering a free teeth-whitening service with any new patient exam and cleaning. The office is conveniently located at 119 West 57th Street (between 6th and 7th Avenues). Visit their website for more information about products and services: www.vipsmiles.com. And be sure to mention discount code NYEMMY to redeem this exclusive offer.      Cable U      CableU (www.cableu.tv) is a subscription-based online service that monitors and analyzes cable network performance and programming trends, to give networks and producers a unique competitive advantage. CableU is a service and information partnership between independent distribution and...

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			<pubDate>Fri, 30 May 2008 19:32:40 GMT</pubDate>
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			<link>http://www.nyemmys.org/en/cms/?992</link>
			<title>Partners in Kind</title>
			<description>Our Partners in Kind graciously donate products or services that contribute to the success of our annual New York Emmy&#174; Awards gala.  Product Placement: Gift Bags  We have TWO levels:  50 VIP/Presenter Gift Bags  800 Guest Gift Bags for all attendees     Audience: 800 television and media professionals including many familiar faces of entertainment and broadcast news, the industry&#8217;s top production people&#8230;the best and brightest in the business. These are the most important individuals in New York media.    Presenters/VIP: from the world of entertainment, news, sports, and politics to salute the outstanding accomplishments of their peers.    Co-Branding Opportunity: The Emmy&#174; is the preeminent Award that recognizes achievement in the professional television industry. On Sunday April 6, 2008 The National Academy of Television Arts and Sciences ~ New York ~ will confer the industry&#8217;s classic and most coveted peer-recognition symbol of distinction, the Emmy&#174; for talent and ability in...

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			<guid isPermaLink="false">http://www.nyemmys.org/en/cms/?992</guid>
			<pubDate>Thu, 22 May 2008 18:34:54 GMT</pubDate>
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			<link>http://www.nyemmys.org/en/cms/?53</link>
			<title>Silver Circle</title>
			<description>The Silver Circle is composed of media professionals who began their careers in broadcasting at least 25 years ago, either in a performing, creative, technical, administrative or journalistic role within the industry, or in a peripheral area directly related to television such as TV journalism, education, production, etc.  Inductees have made significant contributions to both their industry and the community throughout their careers.  The Silver Circle is:                          Roger Ailes        (1999)                      Mel Allen        (1993)                      Eleanor S. Applethwaite        1993)                      William F. Baker        (1996)                                Carlos Barba        (1993)                      Julius Barnathan        (1996)                      Ralph Baruch        (2000)                      Jackson Beck        (1999)                                Robert Bendick        (1994)                      Bill Beutel        (1995)                    ...

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			<pubDate>Thu, 22 May 2008 16:53:52 GMT</pubDate>
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			<link>http://www.nyemmys.org/en/cms/?726</link>
			<title>National Student Television</title>
			<description>The National Student Television Award for Excellence  For additional information about the NSTV program and a list of National winners please visit www.nationalstudent.tv.   2007-2008 New York Chapter Regional Honorees    CRAFT ACHIEVEMENT    CATEGORY: Craft Achievement  WINNER: Ping Pong  STUDENTS: James Hodgens, Adam Gotlin  SCHOOL: Clarkstown High School North  TEACHER: David Kaminski    CATEGORY: Craft Achievement  HONORABLE MENTION: Catch Me If You Can  STUDENTS: Sam Cohen-Wade, Emeka Nwafor, Brian Geiger  SCHOOL: Columbia High School  TEACHER: Anthony Campiglia    CATEGORY: Craft Achievement  HONORABLE MENTION: The Inventor  STUDENTS: Steven Ojeda, James Mays, Brett Feibusch, Evelina Nowak, Ron Geffen, Scott Sobol  SCHOOL: Clarkstown High School North  TEACHER: David Kaminski    HUBBARD FAMILY PUBLIC AFFAIRS/COMMUNITY SERVICE/PUBLIC SERVICE    CATEGORY: Hubbard Family Public Affairs/Community Service/Public Service  WINNER: End the Silence  STUDENT: Christian Fuscarino  SCHOOL:...

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			<pubDate>Thu, 08 May 2008 18:57:36 GMT</pubDate>
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			<category>Content Managers</category>
			<link>http://www.nyemmys.org/en/cms/?41</link>
			<title>Downloadable Forms</title>
			<description>&lt;p&gt;Click on the links below to download an order form:&lt;/p&gt;
&lt;ul&gt;
    &lt;li&gt;&lt;a href=&quot;/attachments/files/89/NYEmmyOrderForm.pdf&quot; target=&quot;_blank&quot;&gt;Emmy Statuette Order Form&lt;/a&gt;
    &lt;li&gt;&lt;a href=&quot;http://www.nyemmys.org/attachments/files/203/NYEmmyOrderForm_Duplicate.pdf&quot;&gt;&lt;span style=&quot;color: red&quot;&gt;NEW! &lt;/span&gt;Duplicate Statuette Order Form&lt;/a&gt;&lt;br&gt;
    &lt;li&gt;&lt;a href=&quot;/attachments/files/90/NominationCertificateOrderForm1375.pdf&quot; target=&quot;_blank&quot;&gt;Nomination Certificate Order Form&lt;/a&gt;
    &lt;li&gt;&lt;a href=&quot;/attachments/files/91/ProductionCertificateOrderForm.pdf&quot;&gt;Production Certificate Order Form&lt;/a&gt;
    &lt;li&gt;&lt;a href=&quot;http://www.nyemmys.org/attachments/files/202/Nomination%20Plaque%20Order%20Form.pdf&quot;&gt;&lt;span style=&quot;color: red&quot;&gt;NEW!&lt;/span&gt; &lt;span style=&quot;color: #000000&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://www.nyemmys.org/attachments/files/202/Nomination%20Plaque%20Order%20Form.pdf&quot;&gt;Nomination Plaque Order Form&lt;/a&gt;&lt;a href=&quot;http://www.nyemmys.org/attachments/files/202/Nomination%20Plaque%20Order%20Form.pdf&quot;&gt; &lt;/span&gt;&lt;/a&gt;
    &lt;li&gt;&lt;span style=&quot;color: red&quot;&gt;&lt;span style=&quot;color: red&quot;&gt;&lt;a href=&quot;/attachments/wysiwyg/4292/NYEmmyDVDOrderForm.pdf&quot;&gt;&lt;span style=&quot;color: red&quot;&gt;&lt;span style=&quot;color: red&quot;&gt;NEW!&lt;/span&gt; &lt;span style=&quot;color: #000000&quot;&gt;51st NY Emmy Awards DVD Order Form&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;
    &lt;li&gt;&lt;span style=&quot;color: red&quot;&gt;&lt;a href=&quot;/attachments/wysiwyg/4292/WinnerPlaqueOrderForm.pdf&quot;&gt;&lt;span style=&quot;color: red&quot;&gt;NEW! &lt;span style=&quot;color: #000000&quot;&gt;Winner's Plaque Order Form&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br&gt;
    &lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;br&gt;
&lt;span style=&quot;font-weight: bold&quot;&gt;&#169; NY NATAS&lt;/span&gt; 


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			<pubDate>Fri, 25 Apr 2008 18:39:49 GMT</pubDate>
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			<link>http://www.nyemmys.org/en/cms/?843</link>
			<title>The 2007 New York Emmy Awards</title>
			<description>  PHOTO ALBUM    The 50th Annual New York Emmy&#174; Awards Gala Celebration   The New York Emmy&#174; Awards celebrated their milestone 50th Anniversary on Sunday, April 1, 2007.  The black-tie gala held at the Marriott Marquis began with an exciting reception where nominees and revelers enjoyed conversation and cocktails.  As always, conviviality reigned supreme!          Photo taken by Ira Cohen.    Media professionals from all over New York came together to commemorate the evening&#8217;s anticipated results!       Photo taken by Ira Cohen.     VIP guests, colleagues, and groups both large and small, enjoyed the festivities!  A great time was had by friends and family alike.        Photo taken by Ira Cohen.  Aasif Mandvi, Actor, The Daily Show, Jericho, enjoyed the NY Emmy&#174; Awards Cocktail Reception before presenting winners in Sports Programming later that evening!       Photo taken by Ira Cohen.   Jacqueline J. Gonzalez, Executive Director of The National Academy of Television Arts &amp; Sciences,...

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			<pubDate>Tue, 22 Apr 2008 23:21:49 GMT</pubDate>
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		<item>
			<category>Survey</category>
			<link>http://www.nyemmys.org/en/sur/?1</link>
			<title>Lorem ipsum survey</title>
			<description>Objectives: &lt;p&gt;Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diem nonummynibh euismod tincidunt ut lacreet dolore magna aliguam erat volutpat. Ut wisis enim ad minim veniam, quis nostrud exerci tution ullamcorper suscipit lobortis nisl ut aliquip ex ea commodo consequat. Duis te feugifacilisi. &lt;/p&gt;

&lt;p&gt;Duis autem dolor in hendrerit in vulputate velit esse molestie consequat, vel illum dolore eu feugiat nulla facilisis at vero eros et accumsan et iusto odio dignissim qui blandit praesent luptatum zzril delenit au gue duis dolore te feugat nulla facilisi. &lt;/p&gt;

&lt;p&gt;Ut wisi enim ad minim veniam, quis nostrud exerci taion ullamcorper suscipit lobortis nisl ut aliquip ex en commodo consequat. Duis te feugifacilisi per suscipit lobortis nisl ut aliquip ex en commodo consequat.Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diem nonummy nibh euismod tincidunt ut lacreet dolore magna aliguam erat volutpat. &lt;/p&gt;

&lt;p&gt;Ut wisis enim ad minim veniam, quis nostrud exerci&lt;br&gt;&lt;br&gt;Release Date: 22-Feb-06 3:13 PM&lt;br&gt;Expiration Date: 22-May-06 3:13 PM&lt;br&gt;&lt;p&gt;Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diem nonummynibh euismod tincidunt ut lacreet dolore magna aliguam erat volutpat. Ut wisis enim ad minim veniam, quis nostrud exerci tution ullamcorper suscipit lobortis nisl ut aliquip ex ea commodo consequat. Duis te feugifacilisi. &lt;/p&gt;

&lt;p&gt;Duis autem dolor in hendrerit in vulputate velit esse molestie consequat, vel illum dolore eu feugiat nulla facilisis at vero eros et accumsan et iusto odio dignissim qui blandit praesent luptatum zzril delenit au gue duis dolore te feugat nulla facilisi. &lt;/p&gt;

&lt;p&gt;Ut wisi enim ad minim veniam, quis nostrud exerci taion ullamcorper suscipit lobortis nisl ut aliquip ex en commodo consequat. Duis te feugifacilisi per suscipit lobortis nisl ut aliquip ex en commodo consequat.Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diem nonummy nibh euismod tincidunt ut lacreet dolore magna aliguam erat volutpat. &lt;/p&gt;

&lt;p&gt;Ut wisis enim ad minim veniam, quis nostrud exerci</description>
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			<author>noemail@nyemmys.org</author>
			<pubDate>Wed, 22 Feb 2006 21:13:03 GMT</pubDate>
</item>

		<item>

			<category>photos</category>
			<link>http://www.nyemmys.org/en/photos/v/275/</link>
			<title>Photo by Dan Miller/DMD Images</title>
			<description>&lt;img src =&quot;/tpeople/wwwNYemmys4.1/jgonzalez/photos/275/DSC_1306-m.JPG&quot; /&gt;&lt;br&gt;File uploaded by Jacqueline Gonzalez. 
&lt;br&gt;&lt;br&gt;
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			<itunes:subtitle>Photo by Dan Miller/DMD Images</itunes:subtitle>
			<itunes:summary>File uploaded by Jacqueline Gonzalez.</itunes:summary>
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			<pubDate>Wed, 09 Jul 2008 01:05:23 GMT</pubDate>
		</item>

		<item>

			<category>photos</category>
			<link>http://www.nyemmys.org/en/photos/v/274/</link>
			<title>Jacqueline J. Gonzalez, Executive Director</title>
			<description>&lt;img src =&quot;/tpeople/wwwNYemmys4.1/jgonzalez/photos/274/DSC_2088-m.JPG&quot; /&gt;&lt;br&gt;Photo by Dan Miller/DMD Images 
&lt;br&gt;&lt;br&gt;
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			<itunes:subtitle>Jacqueline J. Gonzalez, Executive Director</itunes:subtitle>
			<itunes:summary>Photo by Dan Miller/DMD Images</itunes:summary>
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			<pubDate>Wed, 09 Jul 2008 01:05:23 GMT</pubDate>
		</item>

		<item>

			<category>photos</category>
			<link>http://www.nyemmys.org/en/photos/v/273/</link>
			<title>Photo by Dan Miller/DMD Images</title>
			<description>&lt;img src =&quot;/tpeople/wwwNYemmys4.1/jgonzalez/photos/273/DSC_2093-m.JPG&quot; /&gt;&lt;br&gt;File uploaded by Jacqueline Gonzalez. 
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			<itunes:subtitle>Photo by Dan Miller/DMD Images</itunes:subtitle>
			<itunes:summary>File uploaded by Jacqueline Gonzalez.</itunes:summary>
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			<pubDate>Wed, 09 Jul 2008 01:05:23 GMT</pubDate>
		</item>

		<item>

			<category>photos</category>
			<link>http://www.nyemmys.org/en/photos/v/271/</link>
			<title>Photo by Dan Miller/DMD Images</title>
			<description>&lt;img src =&quot;/tpeople/wwwNYemmys4.1/jgonzalez/photos/271/DSC_2016-m.JPG&quot; /&gt;&lt;br&gt;File uploaded by Jacqueline Gonzalez. 
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			<itunes:subtitle>Photo by Dan Miller/DMD Images</itunes:subtitle>
			<itunes:summary>File uploaded by Jacqueline Gonzalez.</itunes:summary>
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			<pubDate>Wed, 09 Jul 2008 01:05:23 GMT</pubDate>
		</item>

		<item>

			<category>photos</category>
			<link>http://www.nyemmys.org/en/photos/v/272/</link>
			<title>Photo by Dan Miller/DMD Images</title>
			<description>&lt;img src =&quot;/tpeople/wwwNYemmys4.1/jgonzalez/photos/272/DSC_2052-m.JPG&quot; /&gt;&lt;br&gt;File uploaded by Jacqueline Gonzalez. 
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			<itunes:subtitle>Photo by Dan Miller/DMD Images</itunes:subtitle>
			<itunes:summary>File uploaded by Jacqueline Gonzalez.</itunes:summary>
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			<pubDate>Wed, 09 Jul 2008 01:05:23 GMT</pubDate>
		</item>

		<item>

			<category>photos</category>
			<link>http://www.nyemmys.org/en/photos/v/269/</link>
			<title>Photo by Dan Miller/DMD Images</title>
			<description>&lt;img src =&quot;/tpeople/wwwNYemmys4.1/jgonzalez/photos/269/DSC_1978-m.JPG&quot; /&gt;&lt;br&gt;File uploaded by Jacqueline Gonzalez. 
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			<itunes:subtitle>Photo by Dan Miller/DMD Images</itunes:subtitle>
			<itunes:summary>File uploaded by Jacqueline Gonzalez.</itunes:summary>
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			<pubDate>Wed, 09 Jul 2008 01:05:23 GMT</pubDate>
		</item>

		<item>

			<category>photos</category>
			<link>http://www.nyemmys.org/en/photos/v/270/</link>
			<title>Photo by Dan Miller/DMD Images</title>
			<description>&lt;img src =&quot;/tpeople/wwwNYemmys4.1/jgonzalez/photos/270/DSC_2002-m.JPG&quot; /&gt;&lt;br&gt;File uploaded by Jacqueline Gonzalez. 
&lt;br&gt;&lt;br&gt;
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			<itunes:subtitle>Photo by Dan Miller/DMD Images</itunes:subtitle>
			<itunes:summary>File uploaded by Jacqueline Gonzalez.</itunes:summary>
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			<pubDate>Wed, 09 Jul 2008 01:05:23 GMT</pubDate>
		</item>

		<item>

			<category>photos</category>
			<link>http://www.nyemmys.org/en/photos/v/268/</link>
			<title>Photo by Dan Miller/DMD Images</title>
			<description>&lt;img src =&quot;/tpeople/wwwNYemmys4.1/jgonzalez/photos/268/DSC_1970-m.JPG&quot; /&gt;&lt;br&gt;File uploaded by Jacqueline Gonzalez. 
&lt;br&gt;&lt;br&gt;
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			<itunes:subtitle>Photo by Dan Miller/DMD Images</itunes:subtitle>
			<itunes:summary>File uploaded by Jacqueline Gonzalez.</itunes:summary>
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			<pubDate>Wed, 09 Jul 2008 01:05:23 GMT</pubDate>
		</item>

		<item>

			<category>photos</category>
			<link>http://www.nyemmys.org/en/photos/v/265/</link>
			<title>Photo by Dan Miller/DMD Images</title>
			<description>&lt;img src =&quot;/tpeople/wwwNYemmys4.1/jgonzalez/photos/265/DSC_1935-m.JPG&quot; /&gt;&lt;br&gt;File uploaded by Jacqueline Gonzalez. 
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			<itunes:summary>File uploaded by Jacqueline Gonzalez.</itunes:summary>
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			<pubDate>Wed, 09 Jul 2008 01:05:23 GMT</pubDate>
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		<item>

			<category>photos</category>
			<link>http://www.nyemmys.org/en/photos/v/266/</link>
			<title>Photo by Dan Miller/DMD Images</title>
			<description>&lt;img src =&quot;/tpeople/wwwNYemmys4.1/jgonzalez/photos/266/DSC_1949-m.JPG&quot; /&gt;&lt;br&gt;File uploaded by Jacqueline Gonzalez. 
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			<itunes:subtitle>Photo by Dan Miller/DMD Images</itunes:subtitle>
			<itunes:summary>File uploaded by Jacqueline Gonzalez.</itunes:summary>
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			<pubDate>Wed, 09 Jul 2008 01:05:23 GMT</pubDate>
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<item>
<title>Lorem ipsum</title>
<category>Courses</category>
<link>http://www.nyemmys.org/en/courses/view.asp?courseid=1</link>
<description><![CDATA[Instructor: Fraley<br><br>

Lorem ipsum<br>
]]></description>
<dc:subject>Course</dc:subject>
<dc:date>2006-02-22T21:13:03Z</dc:date>
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